Filmmakers– directors, producers and other technical departments– speak about their experiences and craft.
As the physical editions of the Jio MAMI Mumbai Film Festival – which was cancelled in 2020, postponed from November 2021 to March 2022 – now stands cancelled again, the selected film-makers across the two India sections (India Gold and Spotlight) have written an Open Letter to the organisers of MAMI. In the meantime, an Online Screening schedule has been announced, which can be accessed here. It goes thus: We are a group of filmmakers officially selected in the India Story, Spotlight, and India Gold sections of the recently cancelled Jio MAMI Mumbai Film Festival 2022. We have come together [...]
Creative producer Prashen H. Kyawal writes about the fulfilling and challenging journey of making India's first POV film, RAKKHOSH, which is now streaming on Netflix.
Director Vasan Bala writes about a childhood incident behind the nutty genre-fluidness of his latest film, a lovingly crafted homage-action-comedy called "Mard Ko Dard Nahi Hota" that releases in cinemas on March 21st.
Based on his own experiences, independent filmmaker Kenny Basumatary details, step-wise, the extremely important process of securing a Censor Certificate. His third film, Suspended Inspector Boro, releases in cinemas soon.