Editor’s Picks

112, 2020
  • shatranj

Movies Are Us: Milind Kelkar

'Art of Living' teacher Milind Kelkar speaks about Shatranj Ke Khiladi, Jaane Bhi Do Yaaro and The Gods Must Be Crazy.

1811, 2020
  • tamasha

Tamasha: All the world’s a stage

We celebrate 5 years of Imtiaz Ali's TAMASHA – the most divisive Hindi film of our times – with this Pankaj Sachdeva essay.



1710, 2020
  • Serious-men-123

Serious Men: Finding the light

Pankaj Sachdeva writes about the themes – light, language – of Sudhir Mishra's Netflix film, SERIOUS MEN.



909, 2020
  • cargo1

Film review: Cargo

Rachit Raj reviews Arati Kadav's CARGO, the intimate new Indian sci-fi film on Netflix.


405, 2019
  • utpal3

In conversation with Utpal Borpujari

Our chat with award-winning film critic, curator and filmmaker Utpal Borpujari about the evolution of North-Eastern cinema and the voices he aspires to represent.


1307, 2019
  • Rakkossh-poster2B-min

RAKKHOSH: The making of India’s first POV film

Creative producer Prashen H. Kyawal writes about the fulfilling and challenging journey of making India's first POV film, RAKKHOSH, which is now streaming on Netflix.


1209, 2020
  • disc2

“The Disciple” wins FIPRESCI & Best Screenplay at Venice

Chaitanya Tamhane's THE DISCIPLE wins FIPRESCI and the Best Screenplay award at Venice 2020.

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