Film review: Sam Mendes’ 1917
Aspiring film critic Rachit Raj writes about the film everyone is talking about: Sam Mendes' anti-war epic, 1917.
The meaty metaphors of Jallikattu & Aamis
Jayjit Sarkar, an assistant professor of English literature, writes an essay connecting Lijo Jose Pellissery's Jallikattu (2019) to Bhaskar Hazarika's Aamir (2019).
Some more Hindi film trivia
Pankaj Sachdeva lists down more Hindi film trivia for hawk-eyed cinephiles.
Memorable Hindi film scenes of 2019
Pankaj Sachdeva writes about his favourite Hindi film scenes of 2019.
(Streaming) Review: Ghost Stories
Rachit Raj reviews the first Hindi film release of 2020, Netflix anthology GHOST STORIES.
iiF Awards, Hindi Cinema, 2019
The definitive list of the best and worst of Hindi cinema in 2019.
2019: The horror of fascist systems
An essay on the movies and shows that have eerily captured the "invisible horrors" of fascist systems in 2019.
The doggedness of “Nirmal Anand ki Puppy”
Long-time indie filmmaker Sandeep Mohan writes about the making of his latest, NIRMAL ANAND KI PUPPY, a unique film co-written by...his dog.
The poetic solitude of Antaheen
In this detailed piece, Pankaj Sachdeva delves into the lyrical themes of Bengali film ANTAHEEN.
Streaming Review: Sarthak Dasgupta’s MUSIC TEACHER
Rachit Raj writes about Sarthak Dasgupta's haunting little indie, MUSIC TEACHER.
