The necessary nakedness of Wildlife
Rahul Desai writes about Paul Dano's directorial debut WILDLIFE, and the uniqueness of its dysfunctional family story.
Nerdy movie trivia
Pankaj Sachdeva puts together a charming list of random movie trivia – exploring everything from striking colour palettes and film posters to irreverent opening credits.
No country for old love
A column on Aadish Keluskar's JAOO KAHAN BATA AE DIL.
Dar Gai: The Queen of Edginess
An interview with eclectic filmmaker Dar Gai, a Ukrainian national who has taken the Indian indie filmmaking scene by storm over the last few years.
Share: Play, rewind, relapse
Film critic Poulomi Das writes about SHARE, Pippa Bianco's breakout high-school drama about the unending trauma of a teenaged assault survivor in the internet age.
The Bombay of modern Hindi cinema
We take a look how a certain dimension of Maximum City – "the immigrant's Mumbai" – is being represented in contemporary Hindi cinema and short films.
18 Years of Dil Chahta Hai
Pankaj Sachdeva looks back at the relationships that formed the core of the 18-year-old DIL CHAHTA HAI, the defining Hindi film of the multiplex generation.
Desi pulp ka pasha: Crime, lust & honey
We look back at Desi Pulp ka Pasha, a short documentary about the creator of smutty true-crime spreads like Madhur Kathayen, Crime & Detective and Manohar Kahaniyaan.
Awarapan: Love will set you free
Pankaj Sachdeva writes about arguably Mohit Suri's best film, the 2007 romantic action thriller AWARAPAN.
Sid Meer and the colours of indie India
We have a long overdue conversation with Sid Meer – post-production wizard, master colourist and 'Bridge Postworks' founder – about the specifics of his craft and the "look" of indie filmmaking in India.
