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Court Judgements Citing Films

By |July 24th, 2019|Analysis|

We take a detailed look at the various Indian court judgements that have cited films to make their point.

Elevators in Hindi cinema

By |February 12th, 2019|Analysis, movies we loved|

Pankaj Sachdeva returns with a fascinating trivia article about the use of "elevators" in Hindi cinema.

iiF Awards, Hindi Cinema, 2018

By |December 31st, 2018|Analysis, Awards, movies we loved, reviews|

The fourth edition of our custom-made iiF Awards is here. Rewarding the best and worst of Hindi cinema in 2018.

In Conversation with “Poster Boy” Raj Khatri

By |December 18th, 2018|Interviews|

Our 'graphic' chat with the passionate Raj Khatri, one of the foremost movie-poster designers in India, about his craft, his personal work and the perception of poster art in a nation still coming to terms with the key mediums of moviemaking.

The Circus of Cinema

By |December 15th, 2018|Analysis, movies we loved|

Film essayist Pankaj Sachdeva delves into the depictions of the "Circus" - a dying art - in Hindi cinema.

Raazi: If the heart agrees

By |September 20th, 2018|Analysis, reviews|

By Pankaj Sachdeva Meghna Gulzar's Raazi is the story of Sehmat (Alia Bhatt) who is a daughter, a wife, and a spy. The film is based on Harinder Sikka's novel Calling Sehmat which itself was inspired by real events. Sehmat is the twenty-year-old daughter of Hidayat Khan (Rajit Kapur) who dedicated his life to the service of his nation. He asks Sehmat to get married to a Pakistani major's son Iqbal (Vicky Kaushal) so that she can spy on the secret plans of the other nation's army and relay them to the Indian intelligence. Sehmat is raazi (in agreement) to do the same and becomes a raazi (keeper of [...]

Anatomy: “Chaav Laaga” from Sui Dhaaga

By |September 11th, 2018|Analysis|

Pankaj Sachdeva delves into the themes and images of Sharat Katariya's beautifully designed song, Chaav Laaga, from the upcoming SUI DHAAGA.

Gifts in Hindi Films

By |July 10th, 2018|Analysis|

From Kahaani to Masaan to Dil Toh Pagal Hai, we take a closer look at the kinds of "gifts" exchanged by Hindi film characters over the years.

Paheli: Of Ghost and God

By |April 24th, 2018|Analysis, reviews|

Pankaj Sachdeva throws back to Amol Palekar's fascinating and "supernatural" leap of faith with Shah Rukh Khan, Paheli (2005).

Phobia: Of Birds and Cages

By |April 9th, 2018|Analysis|

A closer look at the hidden themes and images of Pavan Kirpalani's well-made horror film, PHOBIA (2016).

Pari: The Demons Within

By |March 4th, 2018|reviews|

Young critic Pranav Joshi writes about the latest in Hindi horror cinema, PARI - Not a Fairytale.

Tumhari Sulu: Main Kar Sakti Hain

By |February 9th, 2018|Analysis|

Pankaj Sachdeva delves deeper into Suresh Triveni's charming "Tumhari Sulu" and its thematic companions.

“Padmaavat” & Cinematic Myth-Making

By |January 30th, 2018|Analysis, reviews|

Young critic Pranav Joshi delves into the emptiness of Sanjay Leela Bhansali's Padmaavat and the lost art of myth-making.

What I Learned from Hindi Movies in 2017

By |January 8th, 2018|Analysis, movies we loved|

Our film analyst Pankaj Sachdeva lists down his most cherished (and not-so-cherished) moment from Hindi cinema in 2017.

IIF Awards, Hindi Cinema, 2017

By |December 30th, 2017|movies we loved, reviews|

Our annual awards "show" across all categories for the best and worst of Hindi cinema.

A Year of Firsts: Best Debut Films of 2017

By |December 13th, 2017|Uncategorized|

A YEAR OF FIRSTS: We list the 13 best "first films" of Hindi cinema in 2017.

Diaries in Hindi Cinema

By |October 29th, 2017|Analysis|

Pankaj Sachdeva writes about the different kinds of narrative significance the common "diary" represents in Hindi cinema.

O. Henry in Hindi Cinema

By |July 18th, 2017|Analysis|

Pankaj Sachdeva explores the influence of iconic short-story writer O. Henry in Hindi Cinema over the years.


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