Elevators in Hindi cinema
Pankaj Sachdeva returns with a fascinating trivia article about the use of "elevators" in Hindi cinema.
Pankaj Sachdeva returns with a fascinating trivia article about the use of "elevators" in Hindi cinema.
The fourth edition of our custom-made iiF Awards is here. Rewarding the best and worst of Hindi cinema in 2018.
Film essayist Pankaj Sachdeva delves into the depictions of the "Circus" - a dying art - in Hindi cinema.
A throwback to Nishtha Jain's illuminating 2014 documentary GULABI GANG -- not to be confused with the vapid Madhuri Dixit starrer Gulaab Gang -- by award-winning film critic Tanul Thakur.
Pankaj Sachdeva deep-dives into one of the most passionately argued, well-acted and progressive Hindi films of 2018.
We take a look at what the director of Shuttlecock Boys, Hemant Kumar Gaba, had to say about the making of his film and the independent-film landscape back in 2012. Much has changed, but so much remains the same.
A deeper look into the "ingredients" of Ritesh Batra's masterpiece, The Lunchbox (2013).
A throwback to one of the best Hindi films of 2015, MASAAN, directed by debutant Neeraj Ghaywan.
A closer look at the beauty, meanings and soft poignance of Luca Guadagnino's CALL ME BY YOUR NAME, by the ever-observant Pankaj Sachdeva.
This is your definitive list. Our young critic Pranav Joshi lists down the BEST of 2017 in terms of World Cinema. How many have you watched?
A review of Assamese filmmaker Kenny Basumatary's charming Martial Arts comedy caper, Local Kung Fu 2.
Our film analyst Pankaj Sachdeva lists down his most cherished (and not-so-cherished) moment from Hindi cinema in 2017.
Our annual awards "show" across all categories for the best and worst of Hindi cinema.
A lovely throwback to the sweet coming-of-age Marathi childhood drama, SHALA (2011), by film critic Tanul Thakur.
We take a more intimate look at Richie Mehta's poignant Google-funded "India In A Day," India's first full-length crowdsourced film.
Priya Bhattacharji introduces us to "Topi," a poignant animated Partition-era short film (2009) by Arjun Rihan.