“Past Lives” and the grammar of dreaming
Rahul Desai writes about Celine Song's PAST LIVES, one of the best films of the year.
Rocky Aur Rani Kii Prem Kahani: It’s all about living with parents
Pankaj Sachdeva writes about Karan Johar's Rocky Aur Rani Kii Prem Kahani.
Bhediya: Man vs. Wolf
Pankaj Sachdeva writes about Amar Kaushik's BHEDIYA.
The Song of Scorpions: Irrfan’s last dance
Rahul Desai writes about Irrfan's final theatrical release, Anup Singh's hypnotic "The Song of Scorpions".
Aftersun: The luminosity of an aftermath
Rahul Desai writes about AFTERSUN.
Seeing the world through the Ozu-Flaubert lens
Rohan Murti writes about seeing the world through what he has dubbed "the Ozu-Flaubert lens".
Darlings: The Scorpion and the Frog
Pankaj Sachdeva writes about DARLINGS.
Tamasha: Of Stories and Storytellers
Pankaj Sachdeva writes about perhaps the most divisive Hindi film of a generation.
Gangubai Kathiawadi: The White of the Swan
Pankaj Sachdeva delves into Sanjay Leela Bhansali's latest, Gangubai Kathiawadi.
Jalsa: The crisis of conscience
Pankaj Sachdeva writes about JALSA.
The Kashmir Files: A cradle of chaos
Rachit Raj writes about The Kashmir Files syndrome.
Looop Lapeta and the Legend of Savitri and Satyavan
Pankaj Sachdeva writes about Looop Lapeta and the legend of Savitri-Satyavan in Hindi cinema.
Ahista Ahista: Fall in love gradually
Pankaj Sachdeva looks back at Ahista Ahista.
The Namesake: Immigrants through time
Pankaj Sachdeva writes about The Namesake.
Titli: The cycle of violence
Pankaj Sachdeva writes about the themes and times of Kanu Behl's TITLI.
Yeh Jawaani Hai Deewani Through the Prism of Time
Pankaj Sachdeva writes about Yeh Jawaani Hai Deewani and its relationship with time.
Atypical: The Self and the family
Rachit Raj writes about the multifaceted face of the series, Atypical.
Pro view: Impact of technology on entertainment
A professional art designer writes about the positive impact of technology on the entertainment industry.
