Pankaj Sachdeva writes about the themes – light, language – of Sudhir Mishra's Netflix film, SERIOUS MEN.

Movies Are Us: Ayushi Anand speaks about the three films – Amelie, A Separation, My Blueberry Nights – that changed her life.

Lawyer and disability rights activist Madhuram Aparajita speaks about the three films that changed her life.

Production designer Sai Sharma delves into the step-by-step process of his craft: a crucial cog in the filmmaking wheel.

Film critics Rahul Desai and Tanul Thakur discuss two films: HALAHAL (Eros Now) and SERIOUS MEN (Netflix).

Pankaj Sachdeva writes about "smell" – and its sociocultural language – in Hindi cinema.

MOVIES ARE US: 24-year-old architect Kruti Kattige speaks about Kapoor & Sons, Yes Man and I Feel Pretty.

Rachit Raj reviews Charlie Kaufman's enigmatic new Netflix film, I'M THINKING OF ENDING THINGS.

Film critics Rahul Desai and Tanul Thakur discuss DOLLY KITTY AUR WOH CHAMAKTE SITARE.

Another edition of Pankaj Sachdeva's Hindi film trivia.

MOVIES ARE US: Chandni Sethi speaks about Before Sunrise, Life Is Beautiful and Thappad.

Film critics Rahul Desai and Tanul Thakur discuss CARGO, Arati Kadav's intimate new sci-film film on Netflix.

Chaitanya Tamhane's THE DISCIPLE wins FIPRESCI and the Best Screenplay award at Venice 2020.

Rachit Raj reviews Arati Kadav's CARGO, the intimate new Indian sci-fi film on Netflix.

Pankaj Sachdeva looks into Atul Sabharwal's CLASS OF '83 and its retro themes.

By Rahul Desai In my third year of college, the teachers marvelled at me. They cited me as an example to other students. Don’t make excuses. Be like Rahul. The more they embarrassed me like that, the more “rebellious” I tried to look. At one point, a Nike headband, two sweatbands, spiky streaked hair and a yellow Livestrong band became my reactionary choice of attire. I refused to look like an apple-polishing nerd. But the teachers’ adulation had nothing to do with my grades. My attendance was a whopping 94 percent. Anyone remotely connected to the hipster South Mumbai college [...]

Rachit Raj reviews Mee Raqsam, the new Baba Azmi film paying tribute to his father and legendary Urdu poet Kaifi Azmi.

Pankaj Sachdeva looks at the varied instances of television – both literal and figurative – in Hindi cinema.