Ruchir Arun: On making the “little things” count
Our chat with filmmaker and FTII alumnus Ruchir Arun, the man behind all the successful "little things" of India's new-age web entertainment industry.
Our chat with filmmaker and FTII alumnus Ruchir Arun, the man behind all the successful "little things" of India's new-age web entertainment industry.
Film critic Rahul Desai throws back to the "storytelling" of the path-breaking music of Sairat - the Marathi blockbuster that subverted the norms of Indian mainstream cinema.
Pankaj Sachdeva dissects the Imtiaz Ali-written undertones of Sajid Ali's Laila Majnu (2018) - an underrated film elevated by one of the best male performances of the year.
A throwback to Nishtha Jain's illuminating 2014 documentary GULABI GANG -- not to be confused with the vapid Madhuri Dixit starrer Gulaab Gang -- by award-winning film critic Tanul Thakur.
Pankaj Sachdeva deep-dives into one of the most passionately argued, well-acted and progressive Hindi films of 2018.
Film critic Rahul Desai explores the narrative language of "marriage" in modern Hindi cinema.
Pankaj Sachdeva delves into the various ways Bollywood characters break the fourth wall in the movies.
Young filmmaker Kabeer Khurana writes, through his own personal experiences as a director, about a very underrated aspect of filmmaking: the musicality.
Pankaj Sachdeva deep-dives into the themes and observations of Akarsh Khurana's KARWAAN.
On the eve of the 20th edition of the JIO MAMI Mumbai Film Festival, we speak to the captain of the ship herself: the multifaceted Anupama Chopra.
Film critic Rahul Desai delves into two separate films in 2018 about documentary makers and their unique perception of memories.
Pankaj Sachdeva explores Kanwal Sethi's mature, atmospheric "Once Again" - a Netflix release starring Shefali Shah and Neeraj Kabi.
Our chat with filmmaker-curator-indie-champion Ritu Sarin: the charming co-founder of India's most attractive film festival, DIFF (Dharamshala International Film Festival).
Upcoming filmmaker Kabeer Khurana writes about one of the most underrated aspects of cinema today: Visual Design.
By Pankaj Sachdeva Meghna Gulzar's Raazi is the story of Sehmat (Alia Bhatt) who is a daughter, a wife, and a spy. The film is based on Harinder Sikka's novel Calling Sehmat which itself was inspired by real events. Sehmat is the twenty-year-old daughter of Hidayat Khan (Rajit Kapur) who dedicated his life to the service of his nation. He asks Sehmat to get married to a Pakistani major's son Iqbal (Vicky Kaushal) so that she can spy on the secret plans of the other nation's army and relay them to the Indian intelligence. Sehmat is raazi (in agreement) to do the same and becomes a raazi (keeper of [...]
Rahul Desai writes about Par Ek Din, a 89-minute documentary (streaming on Youtube) that features the struggles of an obscure Mumbai-based music band.
Pankaj Sachdeva delves into the themes and images of Sharat Katariya's beautifully designed song, Chaav Laaga, from the upcoming SUI DHAAGA.