“The way I live is how I make my films.”
After generously contributing to our website with his POV pieces, DIY filmmaker Sandeep Mohan sits down with us, finally, to answer some interesting questions -- and not just about films.
After generously contributing to our website with his POV pieces, DIY filmmaker Sandeep Mohan sits down with us, finally, to answer some interesting questions -- and not just about films.
A film review of maverick filmmaker Quashiq Mukherjee's retro Netflix comedy, Brahman Naman.
A chat with Prithvi Konanur, the director of 'Railway Children', a quaint little film selected in the India Gold section of this year's Mumbai Film Festival.
An insightful chat with Milind Dhaimade, whose charming little Mumbai-centric indie, Tu Hai Mera Sunday, plays at this year's Mumbai Film Festival.
Our chat with filmmaker Pulkit, whose first film, Manav Kaul starrer and psychological thriller 'Maroon,' plays in the India Story section at the 2016 Mumbai Film Festival.
Indie film crusader Sandeep Mohan, who has just completed his third feature-length project 'Shreelancer,' explores his own state of mind at this juncture.
Our review of Arvind Swamy starrer, Dear Dad -- a progressive Hindi-language indie that pivots solely on one stretched father-son moment.
We look back on a beguiling American indie called Comet (2014), now known as the calling card of 'Mr. Robot' creator Sam Esmail.
Our review of the semi-psychedelic 'M Cream', a road movie about a group of Delhi kids in search of a mythical drug...and themselves.
A producer writes about her take on Q's latest film, a comedy (believe it) named 'Brahman Naman', which had its India Premiere this week.
A review of the direct-to-youtube 140-minute independent film, Kaafiron Ki Namaaz.