Review, Dear Dad: A simple, boring straight line.
Our review of Arvind Swamy starrer, Dear Dad -- a progressive Hindi-language indie that pivots solely on one stretched father-son moment.
Our review of Arvind Swamy starrer, Dear Dad -- a progressive Hindi-language indie that pivots solely on one stretched father-son moment.
Our review of HAPPY BHAG JAYEGI, one of the few funny Hindi-language comedies this year.
Rahul Desai's review of Ashutosh Gowarikar's MOHENJO DARO, another historical epic-fail.
Our review of Tinu Suresh Desai's absurdly tacky Akshay Kumar starrer, RUSTOM.
Suchin Mehrotra reviews Leena Yadav's much-decorated rural drama, 'Parched', after managing to catch it at the London Indian Film Festival.
Review of 'Lucia' director Pawan Kumar's intriguing new Kannada-language thriller 'U Turn'.
Our review of 'Fireflies in the Abyss', an affecting and well-constructed documentary about the lives of immigrant Nepali miners in Meghalaya.
A producer writes about her take on Q's latest film, a comedy (believe it) named 'Brahman Naman', which had its India Premiere this week.
Our review of Nagesh Kukunoor's 13th feature film, Dhanak, a cute little children's film that thrives on an overdose of dreams and goodness.
Music critic Rohit Mehrotra breaks down -- and thanks the song Gods for -- composer Ram Sampath's deliciously dark new music album: Anurag Kashyap's Raman Raghav 2.0.
Rahul Desai's review of the excellent Kannada-language film, Thithi, directed by 26-year-old Raam Reddy.
We review a startling sports documentary (released in India on TVFPlay) about two journalists out to explore "cricket's biggest ever scandal."
Our review of the very intriguing and interminably long Randeep Hooda starrer, LAAL RANG.
A review of the direct-to-youtube 140-minute independent film, Kaafiron Ki Namaaz.
We look back on actor Vijay Raaz's directorial debut 'Kya Dilli Kya Lahore' -- an anti-war chamber piece with two performers at the top of their game.