See much evil, hear no evil
Aankhon Dekhi, one of the finest Indian films of 2014, still shines bright in our minds. We explore and dissect the legend of 'Bauji' - brought to life by the inimitable Sanjay Mishra.
Aankhon Dekhi, one of the finest Indian films of 2014, still shines bright in our minds. We explore and dissect the legend of 'Bauji' - brought to life by the inimitable Sanjay Mishra.
Producer Shaan Vyas (Kshay, Masaan, Zubaan) gives us a rather impassioned insight into the world of film production, film festivals and globe-trotting.
'Bhatukali' director Rohit Joshi speaks about how being an assistant director is crucial to direct your own film one day.
We chat with BBC Hindi's official music critic Rohwit - about his intriguing craft, and the sounds and tunes of contemporary Hindi cinema.
We review Ian McDonald's much-awaited documentary; a remarkable film about vision, and driven by vision.
Bioscope, a Marathi-language anthology of shorts directed by four acclaimed filmmakers, casts an umbrella over the different aesthetics and moods of Marathi cinema.
We speak to 'Sulemani Keeda' director Amit Masurkar about the current Indie film scene.
Indie producer & professional multi-tasker Prerana Manker writes about her choices, life and career, and gives aspiring filmmakers some valuable tips about the craft.
Surabhi Sharma’s documentary Bidesia In Bambai is a sharp, gritty account of the numerous faceless Bihari migrants, writes Tanul Thakur.
We list five remarkable regional Indian films - all of which released in 2015 - that should always be on your watching list.
We speak to Bigyna Dahal, the sound editor in the national-award-winning team of Bengali film ASHA JAOAR MAJHE (Labour of Love).
We look back at the fantastic national-award-winning documentary by Nishtha Jain.
We look back on a charming little home-grown indie from 2014, Sulemani Keeda - a definitive B-town film about struggling writers and their lives in the Mumbai suburb of Versova.
Sudhish Kamath, who quit his job as a journalist and film critic with THE HINDU to develop scripts, writes about the perils and pitfalls of a screenwriting career in Bollywood.
Film Critic Rahul Desai looks back on some underrated works of conviction and truth in 2014; all of them largely independent, small and brave Hindi films that defied convention.
Film critic Tanul Thakur looks back at one of the defining Indian films of 2013.
Vivek Kumar, producer of 'Surkhaab', writes about a long journey that continues to throw him onto the shores of Mumbai.
Neeraj Ghaywan, director of MASAAN, speaks to us about his film on the eve of its release in Indian cinemas.