About the horse who got fucked
A young, upcoming filmmaker writes fervidly about his perception of storytelling in the Indian Film Industry.
A young, upcoming filmmaker writes fervidly about his perception of storytelling in the Indian Film Industry.
Our intrepid film analyst Pankaj Sachdeva explores the thematic beats of Richard Linklater's cult classic, Before Sunrise.
POV: Filmmaker Ashish Varghese writes about how he made his award-winning short, The Wait.
Pankaj Sachdeva delves deeper into director Zoya Akhtar's filmography and her cinema of "dreams".
Pranav Joshi reviews "Jai Mata Di," Terribly Tiny Talkies' new Mother's-Day-themed short film.
A look at the desi indies of 2017 -- those released, and those anticipated in the coming months.
Screenwriter Navjot Gulati (Running Shaadi) lists down some valuable lessons he has learned, now that he is officially one film old.
Documentary maker Ashish Kumar writes about what made him put together his new film on acid attack survivors, "Beauty of Life."
One of our young critics reviews S.S. Rajamouli's much-awaited second instalment of the epic Baahubali franchise -- Baahubali 2: The Conclusion.
Writer Pankaj Sachdeva provides us with an in-depth long-form look at the motifs and comparisons of Rahul Dholakia's SRK starrer, 'Raees'.
An indie filmmaker, Sourabh Shrivastav, writes about his life and never-give-up attitude, and introduces his latest feature-length film 'Play This'.
In our latest of POV voices, an independent director waxes philosophical about the building-block process of "editing" a film.
A visceral essay by a young critic on the horror-film genre and the 'Cinema of Fear'.
Pankaj Sachdeva delves deeper into Hindi cinema and its intermittent relationship with the Oedipus Complex.
Our interview with the 'Government of Cool' himself, Jackie Shroff, at a time he is winning hearts on the internet with a new Terribly Tiny Talkies short film.
Another young, upcoming filmmaker writes fervently about his early experiences and passion for the craft, hoping to continue the "best job in the world".
In our new series of young voices, a talented 23-year-old Indian filmmaker writes an evocative piece about why he does what he does.
Our resident film analyst takes a closer look at all the hidden references and themes in Sujoy Ghosh's KAHAANI 2.