The story behind India’s first “Math Fiction” short film
Indie filmmaker and ex-engineer AB Chakravorty writes about the fascinating journey of his "math fiction" short film, 90 To Win. [Cricket nerds, this is for you]
Indie filmmaker and ex-engineer AB Chakravorty writes about the fascinating journey of his "math fiction" short film, 90 To Win. [Cricket nerds, this is for you]
The director of "Love and Shukla" writes about the journey of his little film -- one of the few Indian titles setting the film festival circuit ablaze in 2017.
POV: An independent director, VK Choudhary, writes extensively about the trials and tribulations of making his low-budget film, THE WINDOW.
An interview with Shlok Sharma, whose second feature, ZOO, competing in the INDIA GOLD section of the Mumbai Film Festival, is the first-ever Indian film to be shot completely on an iPhone.
The director and producers of Sikkimese feature, Ralang Road, which has its Indian premiere at this year's Mumbai Film Festival, write about the making of their quaint "local" indie.
An extensive chat with filmmaker Devashish Makhija about "AJJI," which plays in the India Gold section of the Jio MAMI Mumbai Film Festival, 2017.
Our trailer review/analysis of Atanu Mukherjee's first feature-length film, RUKH.
Filmmaker Tarun Jain writes about the making of his new short, Amma meri, which premiered at IDSFFK (Kerala).
Our interview with model-turned-actor Rajveer Singh, the promising lead of the fantastic and bleak Indian indie G KUTTA SE, which released earlier this year.
We take an EXCLUSIVE look into a trippy Goa-based indie film that might hit the scene very soon. "CANDYFLIP" stars Prashant Prakash, Valeriya Polyanychko, Kalki Koechlin and Gulshan Devaiah among others.
We take a more intimate look at Richie Mehta's poignant Google-funded "India In A Day," India's first full-length crowdsourced film.
On the eve of the release of Local Kung Fu 2, the resourceful writer-director-actor Kenny Basumatary gives aspiring indie filmmakers some priceless tips.
Documentary maker Ashish Kumar writes about what made him put together his new film on acid attack survivors, "Beauty of Life."
An essay on the adult sights and adolescent sounds of Shlok Sharma's indie, Haraamkhor.
Film enthusiast Bhaskar Tripathi writes about Shlok Sharma's "Haraamkhor" -- an risqué indie finally released in cinemas after three years of CBFC hell.
A review of a not-so-bad indie from 2016, the Naseer-and-dog-starrer, "The Blueberry Hunt".
Independent filmmaker Gulshan Singh writes about the 20-month making of his new short, VIGIL BASTARD (link attached).
A review of one of the best Hindi-language films of 2016, Hansal Mehta's ALIGARH.