Reviews of the latest (and sometimes not-so latest) independent films from South Asians everywhere.
By Pankaj Sachdeva In Noblemen, debutante director Vandana Kataria reimagines Shakespeare's The Merchant of Venice by setting it in a boarding school in India. Her film tells the story of Shay (Ali Haji) who is selected to play the part of Bassanio from the aforementioned play in the annual function at his school. He is bullied by his [...]
Jayjit Sarkar, an assistant professor of English literature, writes an essay connecting Lijo Jose Pellissery's Jallikattu (2019) to Bhaskar Hazarika's Aamir (2019).