A throwback to Lagaan's most enduring character, Kachra, and the affable actor behind the wily leg-spinner.
We have a long overdue conversation with Sid Meer – post-production wizard, master colourist and 'Bridge Postworks' founder – about the specifics of his craft and the "look" of indie filmmaking in India.
An interview with hybrid filmmaker Megha Ramaswamy, whose new music-themed series, The Odds, featuring Abhay Deol and Yashaswini Dayama, is setting the festival circuit alive.
Director Vasan Bala writes about a childhood incident behind the nutty genre-fluidness of his latest film, a lovingly crafted homage-action-comedy called "Mard Ko Dard Nahi Hota" that releases in cinemas on March 21st.
Manoj Sharma chats with Hardik Mehta, whose first feature-length film, Kaamyaab, starring Sanjay Mishra, recently screened in Paris after the 2018 Busan Film Festival.
Our 'graphic' chat with the passionate Raj Khatri, one of the foremost movie-poster designers in India, about his craft, his personal work and the perception of poster art in a nation still coming to terms with the key mediums of moviemaking.
Our chat with filmmaker-curator-indie-champion Ritu Sarin: the charming co-founder of India's most attractive film festival, DIFF (Dharamshala International Film Festival).
Our interview with a prolific new-age cinematographer in Indian cinema, Pooja Gupte, who has - while breaking glass ceilings - shot some of the more interesting work in recent years.
We take a look at what the director of Shuttlecock Boys, Hemant Kumar Gaba, had to say about the making of his film and the independent-film landscape back in 2012. Much has changed, but so much remains the same.
An extensive interview with Udayan Baijal, a "specialist" assistant director for International productions in India, and an artist who has carved out a unique career in independent, social storytelling.