By IIF|2020-05-08T07:02:57+00:00December 31st, 2019|Features, movies we loved, reviews, ReviewsDisplaySmall|
The definitive list of the best and worst of Hindi cinema in 2019.
By IIF|2020-04-28T08:30:01+00:00December 25th, 2019|Analysis, Critics Speak|
An essay on the movies and shows that have eerily captured the "invisible horrors" of fascist systems in 2019.
By IIF|2019-12-18T07:40:58+00:00December 18th, 2019|Filmmakers POV|
Long-time indie filmmaker Sandeep Mohan writes about the making of his latest, NIRMAL ANAND KI PUPPY, a unique film co-written by...his dog.
By IIF|2020-06-22T16:40:26+00:00December 16th, 2019|Analysis, Features|
In this detailed piece, Pankaj Sachdeva delves into the lyrical themes of Bengali film ANTAHEEN.
By IIF|2020-01-21T06:54:20+00:00December 12th, 2019|reviews, Young Critics|
Rachit Raj writes about Sarthak Dasgupta's haunting little indie, MUSIC TEACHER.
By IIF|2020-01-21T06:55:36+00:00December 10th, 2019|reviews, Young Critics|
Rachit Raj reviews Mudassar Aziz's PATI, PATNI AUR WOH, Bollywood's latest soulless interpretation of a problematic theme.
By IIF|2020-04-28T08:30:40+00:00December 2nd, 2019|Analysis, Features|
Pankaj Sachdeva delves deep into the themes and vivid visual texture of the most fascinating Hindi film of the year, Judgementall Hai Kya.
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